I mentioned already that I don't often go to temporary exhibitions when I'm on holiday. Because of two very simple reasons: - I do wanna see the important/touristy stuff in a city in which I've never been to (I know lame, and not hip at all) - and I'm usually with other people, who are not as enthusiastic about contemp art as I am These two need compromising on what to see, what to squeeze in the limited time given in a place. Berlin is definitely an exception: first of all because I'm going to go back. Second: because Berling offers so much stuff to do that I don't even feel the FOMO anymore... it's simply impossible to see and do even the most basic things stuffed in a long weekend. Therefore I chose to go to the biennale to the Gropius Bau. One of the four locations recommended by the local friend whos said that the building itself worth a visit. Win-win I get to see the biennale, they get to see something interesting, and a tourist point is ticked off
When I'm on holiday, I don't always plan to go to a museum or see an exhibition. And the ones I run into randomly are the best! This happened in Hall in Tirol a couple of weeks ago. Imagine this munt factory , remain from the middle ages, the first of its kind. There's a sign at the entrance. "LEMONISM - AKEMI TAKEYA" and a bleeding lemon on the picture. *Right, something else is also on display.* - I'm thinking unconsciously. It's interesting enough to see how money developed from tiny crooked thingies into super metal, unbreakable various of thalers, then euros. The building is old, has wooden machines inside, a much-much history to speak about. And then there comes the part when you get to climb up to the tower to see the town. Entering the narrow snaily staircase we hear squeaking and a mixture of metal music. And then I remember: "hah! this must be something contemporary!" I can't wait to reach the top! The music is very disturbing, al